RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

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RAFFAELLO Sanzio Sao Joao Batista oil painting


Sao Joao Batista
Date ca. 1518(1518) Medium Oil on canvas Dimensions Height: 165 cm (65 in). Width: 147 cm (57.9 in). cjr
Painting ID::  84111
RAFFAELLO Sanzio
Sao Joao Batista
Date ca. 1518(1518) Medium Oil on canvas Dimensions Height: 165 cm (65 in). Width: 147 cm (57.9 in). cjr
   
   
     

RAFFAELLO Sanzio The presentation in the temple oil painting


The presentation in the temple
Date between 1502(1502) and 1503(1503) Medium Deutsch: Öltempera auf Holz, auf Leinwand xbertragen. English: Tempera grassa (egg-oil) on canvas. Español: Óleo sobre lienzo. Français : Tempera grassa (xmulsion x lxœuf et x lxhuile) sur bois transfxrxe sur toile. Italiano: Tempera grassa su tavola trasportata su tela. Dimensions Height: 27 cm (10.6 in). Width: 50 cm (19.7 in). cjr
Painting ID::  84138
RAFFAELLO Sanzio
The presentation in the temple
Date between 1502(1502) and 1503(1503) Medium Deutsch: Öltempera auf Holz, auf Leinwand xbertragen. English: Tempera grassa (egg-oil) on canvas. Español: Óleo sobre lienzo. Français : Tempera grassa (xmulsion x lxœuf et x lxhuile) sur bois transfxrxe sur toile. Italiano: Tempera grassa su tavola trasportata su tela. Dimensions Height: 27 cm (10.6 in). Width: 50 cm (19.7 in). cjr
   
   
     

RAFFAELLO Sanzio St Sebastian oil painting


St Sebastian
Date between 1501(1501) and 1502(1502) Medium Oil on wood cjr
Painting ID::  84559
RAFFAELLO Sanzio
St Sebastian
Date between 1501(1501) and 1502(1502) Medium Oil on wood cjr
   
   
     

RAFFAELLO Sanzio The Holy Family oil painting


The Holy Family
Date 1518(1518) Medium Oil on canvas transferred from wood Dimensions Height: 207 cm (81.5 in). Width: 140 cm (55.1 in). cjr
Painting ID::  85310
RAFFAELLO Sanzio
The Holy Family
Date 1518(1518) Medium Oil on canvas transferred from wood Dimensions Height: 207 cm (81.5 in). Width: 140 cm (55.1 in). cjr
   
   
     

RAFFAELLO Sanzio Portrat einer jungen Frau oil painting


Portrat einer jungen Frau
between 1518(1518) and 1519(1519) Medium Oil on wood cyf
Painting ID::  85950
RAFFAELLO Sanzio
Portrat einer jungen Frau
between 1518(1518) and 1519(1519) Medium Oil on wood cyf
   
   
     

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     RAFFAELLO Sanzio
     Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,

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